Saturday, March 31, 2012

50 QUESTION
RAMAYANA
QUIZ

1) Who was the founder of the Solar dynasty or the Raghu Vansha ?
A Vaivasvata Manu B Bhagirath
C Ikshvaku D Dasharath

2) Ayodhya is located on the banks of river …..
A Ganga B Yamuna
C Sarayu D Bhagirathi

3) Who performed the Putra Prapti Yagna for King Dasharath
A Sage Vishwamitra B Sage Vasistha
C Sage Bharadwaj D Sage Rishyashringa

4) Lord Rama was born on which day of the Hindu calendar?
A Chaitra Pratipada B 9th day of the Chaitra dark half
C 9th day of Chaitra bright half D Vaishaka Poornima

5) Dasharata, in his younger days had accidentally killed ….
A Ashwini Kumar B Sumanta Kumar
C Shravan Kumar D Bharat Kumar

6) Rama, Lakshmana, Bharat and Shatrughna studied in the Gurukul of
A Sage Valmiki B Sage Vedvyas
C Sage Vishwamitra D Sage Rishyashringa

7) Who was the wife of Sage Vasishtha
A Aditi B Arundhati
C Ahalya D Anuradha

8) Janaka was the king of ………
A Magadha B Mithila
C Avadha D Kosala

9) Who was cursed to become a stone by her husband
A Ahilya B Kaikayee
C Aditi D Ashwini

10) In Seeta swayamvara, the challenge was to string which of the following bows ?
A Indra Dhanush B Shiva Dhanush
C Vishnu Dhanush D Brahma Dhanush

11) Sita’s cousins – Mandavi and Shrutakirti were daughters of
A King Kushadhwaja B King Mayura Verma
C King Yayati D King Sankasya

12) Who poisoned the mind of Queen Kaikayee against Rama’s coronation?
A Manthara B Shabari
C Tara D Rama

13) Kaikayee demanded Lord Rama’s banishment into forest for ……. years
A 12 years B 14 years
C 17 years D 19 years

P A R T - II

14) …………… was the tribal chief who greeted Rama, Lakshman & Sita on the banks of River Ganga
A Eklavya B Guha
C Subahu D Sumantra

15) In the early part of their forest life, Rama, Sita and Lakshman settled down in
A Parnakuti B Prayag
C Dandakaranya D Chitrakoot

16) Who performed the funeral of King Dasharat as per Vedic rites?
A Sage Vasishtha B Sage Vishwamitra
C Sumantra, the Minister D Prince Bharata

17) Who advised Rama, Sita and Lakshman to settle down in Panchavati
A Sage Agastya B Sage Atri
C Viradha D Kabandha

18) Who instigated Ravana to kidnap Rama’s wife – Sita ?
A Maareecha B Trisura
C Subahu D Akampana

19) ………was the Master of Disguise and turned himself into a beautiful golden deer
A Khara B Dushana
C Videha D Mareecha

20) The holy demarcation line which Sita was not advised to cross was
A Seemant B Lakshman Rekha
C Digant D Kshitij Miti

21) Who informed Rama, Lakshmana about Sita’s kidnap ?
A Jatayu B Sampati
C Jambavant D Sushena

22) ……… was a Gandharva prince, who was cursed to roam the forests as a demon
A Kabandha B Vatapi
C Ilvala D Kurupa

23) ……….. was the old lady who greeted Rama, Lakshman with forest fruits near Pampa Sarovar
A Agasti B Shabari
C Pampa devi D Anasooya

P A R T - III

24) …………….. was the temporary abode of Vanara King Sugreeva
A Rishya Shringa B Pampavati
C Kishkindha D Rishyamooka

25) ………….. was the wife of Vanara King Vali (Bali)
A Suma B Ashwini
C Tara D Ruma

26) Who gave the first clue of Sita to Hanuman’s group?
A Sampati B Jambavant
C Angad D Sushena

27) Who inspired Hanuman to jump to Lanka ?
A Gaja B Jambavant
C Sampati D Gavaksha

28) From which hill did Hanuman take his leap towards Lanka?
A Gajendra Parvat B Malay Parvat
C Mayank Parvat D Mahendra Parvat

29) Which serpent of the sea was sent by Gods to test the skill and strength of Hanuman on his mission to Lanka ?
A Adhiksha B Adishesha
C Simhika D Surasa

30) In Lanka, Sita was confined in….
A Lanka Vana B Mayura Vana
C Ashoka Vana D Khandava Vana

31) Who tamed Hanuman and dragged him to the court in Lanka?
A Aksha B Meghanad
C Vibhishana D Trijata

32) Who said “a messenger should not be killed”?
A Indrajit B Kumbha Karna
C Vibhishana D Akampana

33) Who helped the Rama’s army build a bridge to Lanka quickly
A Nala and Neela B Angad and Sugreeva
C Hanuman and Jambavant D Sushena and Sudesha

34) …………… was a peace messenger of Lord Rama sent to meet Ravan
A Jambavant B Sugreeva
C Angad D Sudesha

35) Who slept for six months and remained awake for six months
A Dhoomraksha B Adishayana
C Garuda D Kumbhakarna


36) Meghnad shot down Lakshmana using his …………
A Divyastra B Sarpastra
C Brahmastra D Agneyastra

37) ……………was the Ayurveda expert in Lanka
A Vibhishan B Sushruta
C Sushena D Sunetra

38) Which herb had the power to raise the dead
A Dattori B Sanjeevani
C Rishabha D Dhavala

39) Meghnad was finally killed by ….
A Lakshmana B Hanuman
C Rama D Angad

40) …………. told Rama the secret of killing of Ravana by shooting an arrow at his stomach
A Sushena B Lakshman
C Vibhishana D Sugreeva

41) Rama asked Sita to undergo test-by-fire to prove her
A courage B innocence
C purity D divinity

P A R T - IV

42) Bharata had ruled Ayodhya as a regent, staying in …….
A Satrajit B Nandigram
C Prayaga D Saligram

43) Rama decided to exile Sita because
A He wanted to pacify his subjects B he was angry with her
C She was not a good queen D She bore no children

44) Lava and Kusha were born in the hermitage of
A Sage Vamadeva B Sage Valmiki
C Sage Agastya D Sage Durvasa

45) The horse sacrifice ritual is also known as
A Dashashwa Yajna B Rajasooya Yajna
C Rajyabhishek Yajna D Ashwamedha Yajna

46) Who among the following was given the responsibility of protecting the Yajna horse ?
A Lakshmana B Bharata
C Shatrughna D Hanuman

47) Who overpowered Lava in the battle at Valmiki’s hermitage
A Shatrughna B Bharata
C Lakshman D Hanuman

48) Lava and Kusha were great archers because they were taught the skills by
A Parashuram B Valmiki
C Kubera D Jamadagni

49) In the end Sita
A Returned to Ayodhya B Refused to return to Ayodhya
C Stayed at Valmiki’s hermitage D Went into the lap of Mother Earth

50) Ram Charita Manas was penned by
A Sant Kabir B Sant Tulsidas
C Sant Ramdas D Sant Jnandev


RAMAYANA QUIZ


01 A B C D
02 A B C D
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50 A B C D

Tuesday, August 31, 2010

Stones Rock! The amazing world of Sinnar’s Gargoti Museum

On my previous visit to Nashik, I was told about the mineral museum at Sinnar, an extended suburb, some 30 kms away on the Pune Highway. Short on time, i thought what would be of such great interest to go and see some stones and mineral pieces? Instead, the vineyards of Nashik beckoned me for a wine tour.

Six months later, while returning from a family trip to Shirdi, we came across Sinnar, and suddenly the thought of visiting the Minerals Museum crossed my mind. We drove up the MIDC industrial area, and after several twists and turns, we reached a smart looking building, which read the ‘Gargoti Museum’.


‘Gargoti’ means flintstone in Marathi, but you expect to see a dazzling display of precious and semi-precious stones, crystals and zeolites from around the world. Ruby, emerald, topaz, aquamarine, tourmaline, amethyst… you name them, you have them displayed at the Gargoti Museum.


Nature seems to have found a perfect way of hiding its underlying beauty inside the largely unattractive basalt rocks, found almost everywhere in the rocky Deccan plateau. That the museum recognizes the supremacy of nature is evident from the beautiful 13 feet tall statue of Mother India at the main entrance. 80 per cent of the collections in the museum are from Maharasthra, while rest are from neighbouring states, other parts of India, and other continents as well. Two of the collections are from even farther – from the Moon and the Mars, courtesy NASA.


Though the museum has a collection of all kinds of precious stones, the focus is on display of zeolites, with appropriate classification. Zeolites are ethereal creations of breathtaking colour and fragile structure. They are often formed when volcanic rock of specific chemical composition is immersed in water so as to leach away some of the components. Some of the zeolites are more precious than diamonds.


The Deccan Traps are one of the largest volcanic provinces in the world. It is also an authentic fact that zeolites found in Deccan traps are of superior quality than any other part of the world. Jalgaon in North Maharashtra is one such place from where high quality zeolites are procured. These minerals are obtained by a process of controlled dynamite blasting, held under expert supervision. The procured minerals are then cut, chiseled and washed by trained craftsmen before being put on display.


The Gargoti museum has been divided into two galleries. The Deccan Plateau, showing the best Zeolites found within India and The Prestige Gallery displaying the best national as well as international collections. Each display has a detailed footnote explaining its origin and significance, thus making Gargoti Museum an ideal destination for educational tours and field trips. The collection in the museum is of such high standard that some of its exhibits have even been displayed in world’s prestigious museums like Smithsonian Museum, the British Museum and the Carnegie Museum, among others.


The Deccan Plateau section on the ground floor has more than 1700 exhibits of rare specimens and intricate zeolites. Two full shelves have been dedicated for display of colourful calcite and cavancite minerals from the Deccan. Another cabinet displays a collection about a dozen dinosaur fossils. Within the Prestige Gallery on the first floor is the Parliament House, a semi-circular structure, which gives us an overview of the world of minerals. Not to miss on this floor is the naturally formed map of India in a stone. The most prized piece in Gargoti is a rock of apophyllite, stilbite and calcite measuring 2.2 x 2 feet and worth about $100,000. The entire collection in the museum is valued at over Rs 30 crores, but the owner insists, and rightly so, that the collection is priceless.


Gargoti Museum is the result of vision and hardwork of one man whose passion for minerals and crystals has taken him on a journey collecting stones and rocks from across the world. It honours 27 years of patience and consistency of K C Pandey – a passionate mineral collector and an enthusiast in his goal. A former Indian Navy engineer, Pandey is committed to work for preservation, collection and create awareness about India’s mineral heritage. His love and dedication for the subject found its bearing when he created "Gargoti", India’s only museum of its kind, on the Akshay Tritiya day of April 26, 2001.


K C Pandey’s obsession with zeolites began when he was 16, when his brother showed him the milky white apophyllite and orange stilbite minerals that were fused together. Enthused, he began hunting for zeolites around Mumbai and other places. In 1994, he participated in the Gems, Mineral and Fossil show in Tucson, Arizona, the world's largest fair of its kind. With his diverse collection, Pandey made an impact at the show. The visit was a turning point in the life of Pandey. He opted for an early retirement from his service with Indian Navy and concentrated on trading his collection in the international market.Few years later, Pandey initiated plans to set up a museum exclusively meant for zeolites. He chose to build it in Nashik, as the city formed part of the Deccan Trap


The Gargoti Museum is open 24 x 7, 365 days a year. However, you will need a prior appointment to visit between 10 p.m. and 6 a.m. The Museum staff is cordial and knowledgeable and are always ready to explain a thing or two about the objects on display. They charge an entrance fee of Rs 100 for an individual and Rs 50 per head for a group of three or more. The admission fee, though steep compared to other museums, is worth its while considering the immaculate maintenance of the property. Within the museum, there is also a small shop, that sells precious and semi-precious stones, bracelets, necklaces, pendents, Gem trees etc.


After spending nearly 2 hours at the museum and seeing such a marvelous display of minerals and stones, one wonders why the museum has been named – Gargoti, a mere flintstone! K C Pandey says “it is actually a subtle way of saying that every pebble has the potential of great beauty - that many zeolites are found only when rocks are split open.” / Manish Desai

New symbol for the Indian Rupee

July 15, 2010 turned out to be a historic day, as the Indian Rupee got the much awaited symbol, just like other leading currencies of the world viz – Dollar, Euro, Pound Sterling and the Yen. The new symbol is an amalgamation of Devanagari –‘Ra’ and the Roman ‘R’ without the stem. Till now, the rupee was written in various abbreviated forms in different languages.

The new symbol designed by IIT Bombay post-graduate D Udaya Kumar, was approved by the Union Cabinet on July 15. "It's a big statement on the Indian currency... The symbol would lend a distinctive character and identity to the currency and further highlight the strength and global face of the Indian economy," said Information and Broadcasting Minister Ambika Soni, while briefing the media on the Cabinet decision.

The new symbol will not be printed or embossed on currency notes or coins, but it would be included in the 'Unicode Standard' to ensure that it is easily displayed and printed in the electronic and print media. The encoding of the rupee symbol in the Indian Standards is estimated to take about six months while encoding in the Unicode and ISO/IEC 10646 will take about 18 months to two years. It will also be incorporated in software packages and keyboards in use in India.

On March 5, 2009 the Indian Government announced a contest to create a symbol for the Rupee, inviting entries for the symbol, which would reflect and capture the Indian ethos and culture. Over 3000 entries were received, which were evaluated by a Jury headed by the Deputy Governor, RBI, which also included experts from three reputed art and design Institutes. The Jury selected five entries and also gave its evaluation of these five entries to the Government to take a final decision.


Uday Kumar's entry was the ‘Best of Five’. He will get an award of Rs 2.5 lakh and more than that an incredible fame, as the designer of the Rupee symbol. " My design is a perfect blend of Indian and Roman letters — capital 'R' and Devanagri 'Ra' which represents rupaiah, to appeal to international and Indian audiences... It is based on the tricolour, with two lines at the top and white space in between," a visibly-happy Kumar said.

The genesis of the word ‘rupee’ is in the Sanskrit word ‘raupya’ which means silver. Indian Rupee is variously called ‘rupaya’ in Hindi, ‘rupiyo’ in Gujarati, ‘roopayi’ in Telugu and Kannada, ‘rubai’ in Tamil and ‘rupyakam’ in Sanskrit. However in Eastern India it is called ‘Taka/Toka’ in Bengali and Assamese and ‘Tanka’ in Oriya.


India was one of the earliest issuers of coin, and as a result it has seen a wide range of monetary units throughout its history. There is some historical evidence to show that the first coins may have been introduced somewhere between 2500 and 1750 BC. However, the first documented coins date from between the 7th/6th century BC to the 1st century AD. These coins are called 'punch-marked' coins because of their manufacturing technique.

Over the next few centuries, as traditions developed and empires rose and fell, the country's coinage designs reflected its progression and often depicted dynasties, socio-political events, deities, and nature. This included dynastic coins, representing Greek Gods of the Indo-Greek period followed by the Western Kshatrapa copper coins from between the 1st and the 4th Century AD.


In 712 AD, the Arabs conquered the Indian province of Sindh and brought in their influence. By the 12th Century, Turkish Sultans of Delhi replaced the longstanding Arab designs and replaced them with Islamic calligraphy. This currency was referred to as 'Tanka' . The Delhi Sultanate attempted to standardize this monetary system and coins were subsequently made in gold, silver and copper.

In 1526, the Mughal period commenced, bringing forth a unified and consolidated monetary system for the entire Empire. Afghan King Sher Shah Suri (1540 to 1545) introduced the silver Rupayya or the Rupee coin. The princely states of pre-colonial India minted their own coins, all which mainly resembled the silver Rupee, but held regional distinctions depending on where they were from.

During the late 18th Century, agency houses developed banks such as the Bank of Bengal, The Bank of Hindustan, Oriental Bank Corporation and The Bank of Western India. These banks also printed their own paper currency in Urdu, Bengali and Devnagari languages.

For 100 odd years, the issue of bank notes by the private and presidency banks continued but with the formation of The Paper Currency Act in 1861, the issue of notes was monopolized by the Government of India. The Government of India (British India) initially appointed the presidency banks as their agents to help it with the circulation of bank notes as it was a tough job to promote the use of common note over a wide stretch of area.In 1867, the famous Victoria Portrait series of bank notes was issued in honour of Queen Victoria. The notes in the series were uni-faced and were issued in 5 denominations.

The Reserve Bank of India took over the authority to print and circulate banknotes from the Government of India in1935. The notes bearing the portrait of George V was replaced by the notes bearing the portrait of George VI in 1938. The notes with the portrait of George VI were in circulation till 1947 and were taken off the money market with the independence of India. The Lion Capital at Sarnath replaced George VI.


Indian rupee did not use the decimal system and rather was subdivided into 16 annas till 1957. In 1957, the decimal monetary system was adopted and one unit of rupee was restructured equivalent to 100 equal paise. In 1996, the Mahatma Gandhi series of paper notes was introduced, which is currently in circulation.

In order to overcome the challenge of the counterfeit currency, several security features have been incorporated in the Indian Rupee. White side panel of notes has Mahatma Gandhi watermark. All notes have a silver security thread, with inscriptions ‘RBI’ in English and ‘Bharat’ in Hindi. These inscriptions are visible when held against the light. Notes of Rs. 500 and Rs. 1000 have their numerals printed in optically variable ink. Number appears green when note is held flat but changes to blue when viewed at an angle. The language panel on Indian rupee banknotes display the denomination of the note in 15 of the 22 official languages of India. They are from top to bottom – Assamese, Bengali, Gujarati, Kannada, Kashmiri, Konkani, Malayalam, Marathi, Nepali, Oriya, Punjabi, Sanskrit, Tamil, Telugu, Urdu.

Rupee is the name given to the official currency that is used in several countries including India, Bhutan, Pakistan, Sri Lanka, Nepal, Mauritius, Maldives and Indonesia. Among all the countries mentioned above, the Indian rupee is the most important with respect to value, preference and popularity. Acquiring the new symbol, the Indian Rupee now finds a place with the world’s leading currencies – Dollar, Euro, Pound Sterling and the Yen, which also have symbols. The new symbol, also heralds emergence of a new, confident India, with a special place in the world economic order.

Thursday, April 8, 2010

VECHAAR – a unique utensils museum in Ahmedabad

From time immemorial, Indians have displayed their artistic genius on various tangible items of everyday use. Cooking utensils and other kitchen ware are no exceptions. In fact, utensils are so much part and parcel of India ’s household heritage, that most of us draw inspiration from the story of Draupadi’s Akshay Patra from the epic Mahabharata.

How about a chance to see the cooking utensils of the past preserved in one place ? In other words, visiting an Utensils Museum !. Surendrabhai Patel of Ahmedabad has attempted and succeeded in building such a museum at his famous Vishalla village retreat that serves traditional Gujarati cuisine in an authentic village setting.

The museum is part of the Vishala Environmental Centre for Heritage and Arts (VECHAAR) founded by Surendrabhai Patel, an interior designer by profession. It has on display more than 2000 traditional utensils of all imaginable sizes and shapes

The idea of the Utensils Museum occurred, three years after the inception of Vishala in 1981. Surendra Patel had gone to a metal market in Saurashtra, in search of old utensils to give an ethnic touch to his restaurant. There he came across craftsmen who were flattening and melting hundreds of utensils, including a huge dinner plate, to get its worth. The sensitive designer was moved by this incident. He felt and understood what we were losing in the process – our heritage, creative work revealing the brilliance of human skills, the wonder of man's creativity!

Without wasting time, he consulted his friend Dr.Jyotindra Jain, a research scholar, who not only welcomed the idea but also gave valuable suggestions. Patel began the work in a mission mode, corresponded with museums – both national and international, visited and studied several of them, traveled around the country, scouting for displays and after years of hard work, the VECHAAR Utensils Museum took shape.

But, Patel’s museum is a refreshing departure from the conventional museums, we are familiar with. His museum maintains a consistent touch with the design of Vishalla, and gives a village-like feeling. A simple, muddy lane takes you to VECHAAR and ends in front of a large hut-like building. The architecture of the hut-like museum building is quadrangular in shape, mud plastered all over, like a hut.

One more distinguishing characteristic is that unlike other museums where the items are kept shielded in some case, here they are put in open, in consistent with the barrier free theme of Vishala.

You can see the beauty in the well conceived and crafted everyday things like pots to store water, utensils to cook and serve, spoons, rolling pins, or a huge vessel in which buttermilk is churned. Each piece was created by artisan for a specific purpose, catering to a person’s every day need. Apart from the innumerable brass, bronze and copper ware, there over 600 betel-nut crackers on display, each one more aesthetic than the other. An array of water containers – or lotas, displays high level of craftsmanship. The collections are from all over – Rajasthan, Madhya Pradesh, Orissa and even Central Asia .

In short the museum captures the magnificence of human spirit, the brilliance of vision, the perfection of skills and the wonder of creativity. The museum is a tribute to the creative efforts of man from the humble potter to the master craftsman. The collections also show the inherent and unique feature of man’s capacity to express and communicate. The objects represent a superb balance of art and craft. Impressed by the good work being done by VECHAAR, the Ministry of Tourism had sanctioned a Rs 5 lakh grant for museum’s development.

For people of today’s plastic age, household utensils are nothing more than things to be used and stashed away. But Surendra Patel’s unique utensils museum proves otherwise. It reveals the charm of yesteryears and a high sense of aesthetics combined with utility.

If you are a tourist in Ahemadabad, make it a point to visit the utensils Museum . It offers a unique experience of revisiting the life and lifestyles of past eras in these quaint outskirts.
Address : VECHAAR Utensils Museum, Vishala Village Retreat, Vasna Toll Naka, Ahmedabad. (PIB Mumbai Feature *with inputs from Bhavana Gokhale, MCO)

Monday, January 4, 2010

BSE SENSEX IS NOW 25

The Bombay Stock Exchange (BSE) Sensex, the barometer of India’s stock market fortunes, has entered its silver jubilee year. It was launched on January 2, 1986 with 30 most actively traded stocks of that period, with 1979 as the base year. Today, the 30 stocks on the BSE Sensex, account for around 1/5th of the market capitalization of the Bombay Stock Exchange

There are more than 4,700 companies listed on the BSE, making it the biggest stock exchange in the world on the basis of number of listed companies. But not all stocks are actively traded. Even fewer are significant pointers of the trends in the market and the economy.

At the launch of the Sensex, the Bombay Stock Exchange had said that "the absence of an index number of equity prices to reflect the general trend of the market was felt for a long time by investors and also by newspapers who do not compile their own index numbers”.

What is Sensex ?
The Sensex is a value-weighted index and is calculated based on a free-float capitalization method. This is a variation from the earlier market capitalization method, as instead of using a company’s all outstanding shares, only the shares that are readily available for trading are used. The free-float method, therefore, does not include restricted stocks, such as those held by promoters, government and institutional investors. This method was introduced w.e.f September 1, 2003, to serve as a true indicator of market sentiments.

The calculation of SENSEX involves dividing the free-float market capitalization of 30 companies in the Index by a number called the Index Divisor. The Divisor is the only link to the original base period value of the SENSEX. It keeps the Index comparable over time and is the adjustment point for all Index adjustments arising out of corporate actions, replacement of scrips etc.

From its early days in 1986, the Sensex has traveled a long way and has increased by nearly 35 times to the present. On the first day of trading on April 1, 1986, the Sensex had closed at 549.43. It opened its silver jubilee year trading at 17,467.

Composition of the Sensex
The composition of the index too has undergone change many times as only 11 of the original 30 companies continue to be part of the Sensex.
In 1986, Sensex comprised – ACC, Bombay Dyeing, Ballarpur Indsutries, Ceat Tyres, Century Spinning, Food Specialities (now Nestle), Great Eastern Shipping, GSFC, Glaxo, Gwalior Rayon (now Grasim), Hindustan Aluminium (now Hindalco), Hindustan Lever,(now Hindustan Unilever) Hindustan Motors, Indian Hotels, Indian Rayon, ITC, Kirloskar Cummins, Larsen & Toubro, Mahindra & Mahindra, Mukand, Pieco Electronics (now Philips), Premier Automobile, Reliance Industries, Siemens, TELCO (now Tata Motors), Tata Power, Tata Steel, Voltas, Zenith.

The present composition comprises ACC, BHEL, Bharti-Airtel, DLF, Grasim, HDFC, HDFC Bank, Hero-Honda, Hindalco, Hindustan Unilever, ICICI Bank, Infosys, ITC, Jaiprakahs Associates, Larsen & Toubro, Mahindra & Mahindra, Maruti Udyog, NTPC, ONGC, Reliance Communications, Reliance Industries, Reliance Infrastructure, State Bank of India, Sterlite Industries, Sun Pharma, TCS, Tata Motors, Tata Power, Tata Steel, Wipro.

The changed composition in itself narrates the new dimension acquired by the Indian corporate sector. India’s pre-eminence in the IT world is highlighted by the presence of its big three IT-ITES companies – TCS, Infosys and Wipro. There are five Public Sector entrants, unlocking the hidden opportunities thanks to the policy of disinvestment. While presence of three Reliance companies reflect on corporate splits, the inclusion of Bharti-Airtel, DLF, Jaiprakash Associates and Sterlite signify the arrival of new corporate giants. Making way for the new entrants are the bigwigs of the yester years – viz : Bombay Dyeing, Century, Hindustan Motors, Premier Automobiles , Great Eastern Shipping etc. A cursory look at the Sensex companies of the past and the present clearly defines the sun-rise and sun-set sectors of the Indian economy. The new composition also indicates the decline of over-bearing presence of Mumbai headquartered companies, which accounted for over 75 per cent in 1986.

SENSEX over the years.
It took more than two years for the Sensex to cross the four digit mark. On July 25, 1990 the Sensex for the first time closed at 1001 points. It began to pick up momentum, with a slew of economic liberalization measures announced in 1991 by Dr.Manmohan Singh, the then Finance Minister of India. A market friendly budget of 1992-93 and expectations from a liberal import-export policy helped Sensex surge past 4,000 mark by March 1992, before the Harshad Mehta scam hit the market. Y2K coincided with the information technology boom, and the Sensex crossed 6000 in the year 2000. Around 2005, Foreign Institutional Investors became active on the stock market and the Sensex crossed the 8,000 mark on September 8, 2005. February 7, 2006 was a golden letter day for the Bombay Sensex, as it crossed the 10,000 mark and closed marginally above. Little more than a year later, Sensex doubled again and breached the 20,000 mark on October 29, 2007. It touched 21,078 on January 8, 2008. Then the signs of global recession began to surface and the US sub-prime crisis hit the market hard, when several Foreign Institutional Investors began off-loading their holdings. It has now begun to stage a comeback.

Importance of stock indices
It is often stated that the stock market indices play an important role in gauging the economic health and progress of a country. It all began with the construction of Dow Jones Transportation Average in 1884. Today, across the world we have several stock market indices. Notable among them being – the S & P Global, Dow Jones, FTSE, Hang Seng and Nikkei. Despite their overwhelming popularity with the investors, they have also been targets of criticism on many counts. There are plenty of incidences of rigging, corporate corruption, artificially over-valued stocks, conflict of interest of research firms, which cause volatility in stock markets and dent the images of indices as ‘true and fair’ reflectors of company’s health.

Yet, Stock Markets and their indices continue be important. Stock markets provide the much needed liquidity in the economy. The two stock market indices from India, the BSE Sensex and NIFTY have helped put the Indian Capital markets on the world map. The growing presence of Foreign Institutional Investors is integrating our markets with the global markets. Let the march continue./ mandesa / 04.01.2009

Tuesday, December 29, 2009

125th Anniversary; What's the Good Word ?

The Indian National Congress turned 125 on Monday, the December 28, 2009. A huge billboard appeared in front of Priyadarshini Park, near our house in Mumbai commemorating the event, with photographs of Mahatma Gandhi….. Jawaharlal Nehru, Indira Gandhi, Rajeev Gandhi, Sonia Gandhi, Rahul Gandhi and Priyanka Gandhi.

The Congress party is indeed quite old and has an illustrious history. 125 years is quite a long time. We are all familiar with silver, golden, diamond, platinum jubilees (in the ascending order of their prices) and even the centenary celebrations. I had faintly remembered a word used for 150 years, but had never known what a 125th anniversary is called.

i did a bit of research (in other words, Googled) and was startled to find out the names for different anniversaries. Unlike the easy to remember precious stones and metals, the three digit anniversaries are heavily rooted in Latin. And most of them are quite a tongue-twisters. Sample this.

The 125th anniversary is called ‘Quasquicentennial Anniversary’, a monstrous word indeed. With a little bit of more research, i ascertained that there indeed is a short history behind this terminology.

The 150th anniversary is called ‘Sesquicentennial Anniversary’. i was some what familiar with this as the University of Bombay had used this word during their 150th year celebrations. The word ‘sesquicentennial’ is derived from the ‘semis que’ meaning ‘and a half’. The two words ‘semis’ and ‘que’ were combined and shortened to produce ‘sesqui’.

The Latin word for ‘a fourth’ or ‘one-fourth’ is either ‘quarta’ or ‘quadrans’. So we get either ‘quarta que’ or ‘quadrans que’. Combining the two words we would have got ‘quartquicentennial’ or ‘quadquicentennial’ to mean 125. But linquists thought of shortening it in such a way as to bring it closest to ‘sesquicentennial’, and the word ‘quasquicentennial’ was born. Moreover, it is also the least ugliest of the set.

And by the way, the word for 175 years is Septaquintaquinquecentennial’.

Wednesday, September 16, 2009

Norman Borlaug - Father of the Green Revolution

Few people have quietly changed the world for the better more than this rural lad from the mid-western state of Iowa in the United States. The man in focus is Norman Borlaug, the father of the ‘green revolution’, who died on Saturday, (September 12, 2009) at age 95. Norman Borlaug spent most of his 60 working years in the farmlands of Mexico, South Asia and later in Africa, fighting world hunger, and saving by some estimates up to a billion lives in the process. An achievement, fit for a Nobel Peace Prize.
Early years
“I am a product of the great depression” is how Borlaug described himself. A great-grandson of Norwegian immigrants to the United States, Borlaug, was born in 1914 and grew up on a small farm in the northeastern corner of Iowa in a town called Cresco. His family had a 40 hectare farm on which they grew corn, oats, maize and hay and raised pigs and cattle. Norman spent most of his time from age 7 – 17 on the farm, even as he attended a one room, one teacher school at New Oregon in Howard country.

Borlaug didn’t have money to go to college. But through a Great Derpression era programme known as the National Youth Administration, Borlaug was able to enroll in the University of Minnesota at Minneapolis to study forestry. He excelled in studies and received his Ph.D in plant pathology and genetics in 1942.

From 1942 to 1944, Borlaug was employed as a microbiologist at DuPont in Wilmington. However, following the December 7, 1941 attack on Pearl Harbor, Borlaug tried to enlist in the military, but was rejected under wartime labor regulations.

In Mexico
In 1944, many experts warned of mass starvation in developing nations where populations were expanding faster than crop production. Borlaug began work at a Rockefeller Foundation-funded project in Mexico to increase wheat production by developing higher-yielding varieties of the crop. It involved research in genetics, plant breeding, plant pathology, entomology, agronomy, soil science, and cereal technology. The goal of the project was to boost wheat production in Mexico, which at the time was importing a large portion of its grain
Borlaug said that his first couple of years in Mexico were difficult. He lacked trained scientists and equipment. Native farmers were hostile toward the wheat program because of serious crop losses from 1939 to 1941 due to stem rust.

Wheat varieties that Borlaug worked with had tall, thin stalks. While taller wheat competed better for sunlight, they had a tendency to collapse under the weight of extra grain – a trait called lodging. To overcome this, Borlaug worked on breeding wheat with shorter and stronger stalks, that could hold on larger seed heads. Borlaug's new semi-dwarf, disease-resistant varieties, called Pitic 62 and Penjamo 62, changed the potential yield of Mexican wheat dramatically. By 1963 wheat production in Mexico stood six times more than that of 1944.

Green revolution in India
During 1960s, South Asia experienced severe drought condition and India had been importing wheat on a large scale from the United States. Borlaug came to India in 1963 along with Dr.Robert Glenn Anderson to replicate his Mexican success in the sub-continent. The experiments began with planting of few of the high yielding variety strains in the fields of the Indian Agricultural Research Institute at Pusa in New Delhi, under the stewardship of Dr. M S Swaminathan. These strains were subsequently planted in test plots at Ludhiana, Pantnagar, Kanpur, Pune and Indore. The results were promising, but large scale success, however was not instant. Cultural opposition to new agricultural techniques initially prevented Borlaug from going ahead with planting of new wheat strains in India. By 1965, when the drought situation turned alarming, the Government of India took the lead and allowed wheat revolution to move forward. By employing agricultural techniques he developed in Mexico, Borlaug was able to nearly double South Asian wheat harvests between 1965 and 1970.

India subsequently made a huge commitment to Mexican wheat, importing some 18 thousand tons of seed. By 1968, it was clear that the Indian wheat harvest was nothing short of revolutionary. It was so prolific that there was a shortage of labor to harvest it, of bullock carts to haul it to the threshing floor, of jute bags, to store it. Local governments in some areas were forced to shut down schools temporarily to use them as store houses.

United Nation’s Food & Agriculture Organization, FAO observed that in 40 years between 1961 and 2001, “India more than doubled its population, from 452 million to more than 1 billion. At the same time, it nearly tripled its grain production from 87 million tons to 231 million tons. It accomplished this feat while increasing cultivated grain acreage a scant 8 percent.”
It was in India that Norman Borlaug’s work was described as the ‘Green Revolution.’
In Africa
Africa suffered wide spread hunger and starvation through 70s and 80s. Food and aid poured in from most developed countries into the continent, but thanks to the absence of efficient distribution system, the hungry remained empty stomach. The then Chairman of the Nippon Foundation, Ryoichi Sasakawa wondered why the methods used in Mexico and India were not extended to Africa. He called up Norman Borlaug, now leading a semi-retired life for help. He managed to convince Borlaug to help with his new effort and subsequently founded the Sasakawa Africa Association. Borlaug later recalled, "but after I saw the terrible circumstances there, I said, 'Let's just start growing'”.

The success in Africa was not as spectacular as it was in India or Mexico. Those elements that allowed Borlaug's projects to succeed, such as well-organized economies and transportation and irrigation systems, were severely lacking throughout Africa. Because of this, Borlaug's initial projects were restricted to developed regions of the continent. Nevertheless, yields of maize, sorghum and wheat doubled between 1983 and 1985.

Nobel Prize
For his contributions to the world food supply, Borlaug was awarded the Nobel Peace Prize in 1970. Norwegian officials notified his wife in Mexico City at 4:00 a,m., but Borlaug had already left for the test fields in the Toluca valley, about 65 kms west of Mexico City. A chauffeur took her to the fields to inform her husband. In his acceptance speech, Borlaug said “the first essential component of social justice is adequate food for all mankind. Food is the moral right of all who are born into this world. Yet, 50 per cent of the world population goes hungry.”

Green revolution vs environmentalists
Borlaug’s advocacy of intensive high-yield agriculture came under severe criticism from environmentalists in recent years. His work faced environmental and socio-economic criticisms, including charges that his methods have created dependence on monoculture crops, unsustainable farming practices, heavy indebtedness among subsistence farmers, and high levels of cancer among those who work with agriculture chemicals. There are also concerns about the long-term sustainability of farming practices encouraged by the Green Revolution in both the developed and the developing world.

In India, the Green Revolution is blamed for the destruction of Indian crop diversity, drought vulnerability, dependence on agrochemicals that poison soils but reap large-scale benefits mostly to the American multi-national corporations. What these critics overwhelmingly advocate is a global movement toward "organic" or "sustainable" farming practices that eschew chemicals and high technology in favor of natural fertilizers, cultivation and pest-control programs

Borlaug’s reply

But Borlaug and those who followed his lead argue that older methods of sustainable farming or for that matter, organic farming, can not produce enough food to prevent hunger in poorer regions of the world.

Of environmental lobbyists Borlaug once said "Most of the environmental lobbyists of the Western nations are elitists. They've never experienced the physical sensation of hunger. They do their lobbying from comfortable office suites in Washington or Brussels.”

On the sustainability of organic farming, Borlaug argues that the world consumes some 82 million metric tons of chemical fertilizer per annum to supply the nitrogen crucial to plant development. Replacing these nitrogen inputs would require some 3 billion tons of cattle manure. This means to produce the required amount of organic manure, the cattle population needs to increase six times to 800-900 crore heads from the current 134 crore cattle heads. Now imagine the destruction of vast swaths of wilderness to make room for grazing land.”

Biotechnology is the future
Borlaug was also an enthusiastic proponent of biotechnology. He believed biotech will be key to meeting the enormous demands that will strain the globe in the next 30 years. He says global food production will have to nearly double to keep pace with the projected population of 10 billion people by 2050. While biotech has yet to improve yields by any appreciable level, it shows promise in alleviating global malnourishment through the engineering of vitamin- and mineral-enhancing characteristics into cereal crops.

Unappreciated American
Despite his yeomen service to the humanity, Borlaug largely remained an un-appreciated American. The reasons for this are not difficult to understand. The beneficiaries of his innovations and energies are primarily the people from Third World countries. Desperate hunger is an alien affliction in the United States, where malnourishment is more likely to result in obesity than flattened bellies. India though, did not forget to repay its tribute, by releasing a postage stamp in the honour of the ‘father of the Green Revolution’, way back in 1968. Ends